This is a recording of the big meeting I took part in this month in Manchester on how current media and politics are warping ideas around welfare, how shit that is, and how we get around it. More of the debate is here. Gratifyingly, it was not exclusively academic, and was urgent, volatile, non-abstract and, I thought, useful. Feat. Imogen Tyler who is the Dylan to my Donovan, the Elvis to my Shakin’ Stevens, and in this case was calm and precise and knowledgeable where I was all WHAAARGHLGHLGH CLASS and you should all read her book Revolting Subjects. At some point we all blame Thatcher for the death of love. Also lol @ the picture that’s captured me about to swig my whiskey.
You never were an Isolationist;
Injustice you had always hatred for,
And we can hardly blame you, if you missed
Injustice just outside your lordship’s door:
Nearer than Greece were cotton and the poor.
Today you might have seen them, might indeed
Have walked in the United Front with Gide,
Against the ogre, dragon, what you will;
His many shapes and names all turn us pale,
For he’s immortal, and today he still
Swinges the horror of his scaly tail.
Sometimes he seems to sleep, but will not fail
In every age to rear up to defend
Each dying force of history to the end.
Milton beheld him on the English throne,
And Bunyan sitting in the Papal chair;
The hermits fought him in their caves alone,
At the first Empire he was also there,
Dangling his Pax Romana in the air:
He comes in dreams at puberty to man,
To scare him back to childhood if he can.
Banker or landlord, booking-clerk or Pope,
Whenever he’s lost faith in choice and thought,
When a man sees the future without hope,
Whenever he endorses Hobbes’ report
‘The life of man is nasty, brutish, short,’
The dragon rises from his garden border
And promises to set up law and order.
Most of the time life is horrendous or ridiculous or both, but then something like this happens. A few weeks ago I applied, on no more than a whim, for a scholarship-funded place on a novel-writing course. Reader, I got it.
Over the past few years, blogging and journalism and attempted political entryism under the guise of cultural criticism have been hugely validating, sometimes useful, and mostly enjoyable to me, but creative writing has always been at the heart of why I ever put pen to paper. Not that I’ve ever been under any illusions that we live in an age where simply wanting to write is enough – certainly if one lacks independent wealth, then one requires ideas, impetus, strategy, contacts, networking ability, luck, a regrettable learned attitude which buries sense and squeamishness beneath the cynical and mercenary and, above all these, financial support.
This funding, raised by the friends and family of the Welsh writer Eluned Phillips, does its bit to cushion the impact of my recent decision to jack in my previous minimum-wage shift work in retail after seven years and look for something more in keeping with keeping my sanity.
I’ve just started reading Eluned’s memoir and as far as I can tell she led the kind of inspiring, restless and picaresque life that we – particularly women – haven’t had enough examples of within living memory. I hope that I can do her justice.
Yeah. Here’s what I thought, a while back, about Russell Brand. The thing about this meme – not that it’s not funny – but if you’d asked me, twenty years ago, on the verge of Britpop Going Wrong, for my vision of the future… well, it might have involved anyone’s attempt to intervene in a destructive national political discourse being drowned out by repeated chants of PARKLIFE, forever. Ah well.
- Recently I wrote a short review of the film Pride.
- I also wrote a long review of Agata Pyzik’s book Poor But Sexy. NB As a child of the nineteen-eighties, way before online discussions on how to be a fan of problematic things, I remember being starry-eyed about the Soviet Union = how I do confessional journalism.
- And on Thursday 6th November I’m speaking in Manchester on “Poverty Porn and the Welfare State”, on the impact of media portrayals of poverty on government policy and public attitudes towards welfare. More info and event programme here.
The first Velvet Coalmine Festival, featuring the best of Valleys music, art and literature, will be happening next weekend. Like Camden Crawl, but with more coal.
Among loads of other acts, I will be talking to the excellent Rachel Tresize about the ins and outs of having been a female Manics fan.
“Velvet Coalmine aims to create a platform for music, writing and ideas in the Blackwood area that allows our voice to be heard and celebrated. It allows our stories to be told and communicated to the wider world without censorship and our cultural heritage and identity to be expressed on its own terms without interference, without suppression and without agenda. The history of the Valleys is littered with exploitation, neglect and indifference but has proved a birthplace to a myriad of thinkers and pursuers of social justice and in an era when Old Etonian privilege continues to shape and influence decision-making and politics in the UK, creating an arts festival influenced by the radicalism of the 1984-85 miner’s strike and the Centenary of the Senghenydd mining disaster feels both timely and appropriate.”
Full listings and contact details can be found here on the website. Come on down.
1. ‘Crumbling Pillars of Feminine Convention’ – on Viv Albertine’s memoir Clothes Clothes Clothes Music Music Music Boys Boys Boys. Sex, punk, feminism, the usual.
3. Retrospective on the 20th anniversary (!) of The Holy Bible, the summer of 1994 and the travails of being a teenage girl, available in the new issue of Planet magazine. Well worth buying a hard copy as it also contains, among other things, a fascinating article on the history of cross-dressing in protest. My piece is accompanied by the photo below, taken some time in the mid-90s when I had taken to hand-spraying a glittery hammer-and-sickle onto my dress, as was the style at the time. Outfit is not currently, as one correspondent suggested, housed in the museum of Welsh folk art.