The first Velvet Coalmine Festival, featuring the best of Valleys music, art and literature, will be happening next weekend. Like Camden Crawl, but with more coal.
Among loads of other acts, I will be talking to the excellent Rachel Tresize about the ins and outs of having been a female Manics fan.
“Velvet Coalmine aims to create a platform for music, writing and ideas in the Blackwood area that allows our voice to be heard and celebrated. It allows our stories to be told and communicated to the wider world without censorship and our cultural heritage and identity to be expressed on its own terms without interference, without suppression and without agenda. The history of the Valleys is littered with exploitation, neglect and indifference but has proved a birthplace to a myriad of thinkers and pursuers of social justice and in an era when Old Etonian privilege continues to shape and influence decision-making and politics in the UK, creating an arts festival influenced by the radicalism of the 1984-85 miner’s strike and the Centenary of the Senghenydd mining disaster feels both timely and appropriate.”
Full listings and contact details can be found here on the website. Come on down.
Here is Dawn Foster’s excellent piece on the idiocy of insisting that feminism must be dumbed down for the supposed benefit of its potential adherents among the working – for which read ‘thick and theoryless’ – classes. Something implicit in Foster’s argument, which would benefit from being more frequently and explicitly stated in wider debate, is the corrective it provides to current presentations of class vs identity politics as a zero-sum game.
As I wrote the last time Coslett and co. trotted out this line, a) being ‘ordinary’ doesn’t mean being stupid, and b) the problems of the ‘ordinary’ working class are inherently intersectional. As Foster describes, grassroots organisations and actions, from Women Against Pit Closures to Southall Black Sisters, are informed by awareness of how gender and/or race impacts on class, and how class impacts on race and/or gender. This is intersectionality experienced and practiced as a day-to-day reality, enforced by existing structures of power – not a distant and alien theory into which one chooses to opt. It offers a real-life, instinctive and logical practical application of the ideas and concepts that, apparently, are so complex as to be beyond the intellectual grasp of The Likes Of Them. This shit isn’t difficult, and it shouldn’t be presented as such.
Here we go again. Yes, the performance on primetime of fierce and unapologetic left-wing populism is both a relief and a cause for celebration (more because the media as well as politics itself has grown so defanged, timid and prone to paranoid self-policing over the past few decades, with those who vocally deviate from helpless/complacent acceptance or active reinforcement of a neoliberal consensus becoming such a rarity, than because Brand was all that small-r revolutionary in and of himself). No, the conversation doesn’t and shouldn’t end there.
It is not moralistic, irrelevant, or distracting to bring up Brand’s – to understate – frustrating attitude to women when evaluating his political intervention. It is in fact far more unhelpful to insist, in response to this criticism, that Brand’s class identity somehow gives him a pass on this stuff, as though attention to issues of liberation other than the economic is just too much to ask or expect of a working-class male, even one so clearly capable as Brand of holding more than one thought in his head at the same time. Yet again, well-meaning but paternalistic and patronizing ideas are pushed of what it is to be ‘working class’ – in this case, the idea that working-class men cannot be expected to recognise or interrogate their own chauvinism or that of others, or that their doing so is somehow unnecessary.
Moreover, to caricature any discomfort with Brand’s sexual politics as the preserve of joyless derailing middle-class Puritans, who simply cannot handle all this earthy proletarian jouissance, is to implicitly erase even the concept of women as part of the working class, let alone any concerns they may wish to raise. Much current backlash against identity politics is too often suffused with an unedifying and regressive glee at throwing the baby out with the bathwater, and does no one any favours. Equally, surely it’s common sense that oppression on the grounds of gender, race, disability or sexuality is fundamentally exacerbated or ameliorated by material inequality. These identities are mutually reinforcing and cumulative, not zero-sum.
I mean, we’ve been here only recently, and we’ve been here repeatedly before that. Expressing unease at an aspect of Brand’s politics shouldn’t be about imposing some absolutist hierarchy of oppressions – it is merely an obvious and necessary balancing act, a demand for more than the absolute basics from those lauded as representatives of the left, and a resistance to the imposition of restrictive ideas about class.
Is that the end of the conversation? No. What the conversation should have been about in the first place is resistance to the fact that we are being asked to accept, as ‘recovery’ and ‘return to normal’, an austerity-driven strategy of enforced impoverishment – stagnant wages that fail to keep pace with exorbitant costs of living, an explosion in the use of food banks and a breathtaking rolling back of employment rights. Opposing this does mean concentrating on material issues and class politics. Let’s just not be dicks about it.
Things I’ve written elsewhere:
- For the Wales Arts Review, What Riot Grrrl Did and Didn’t Do For Me: on female artistic expression, theory vs practice, post-punk, class and feminism, the 90s, adolescence, and Courtney Love, I think that’s everything.
- For Planet on the centenary of the Senghenydd colliery disaster, a piece about the issues it continues to raise around Welsh identity and the history of working-class exploitation and resistance.
The 2013 London Welsh Literature Festival: now with over twice the escapist proletarian glam aesthetic of other leading brands.
1. I wrote this piece for the Wales Arts Review on Welsh history, politics and identity. Yes, again.
2. In the next issue of Planet: the Welsh Internationalist, I have written on the relationship between Welsh artists and London in the very poor disguise of an album review.
3. If you’re at this year’s Green Man, I will be there to speak to ex-Kenickie members Emma Jackson and Marie Nixon on music, gender, class, the 90s, you know the drill. My life as outtake from Phonogram continues. I shall endeavour not to use the term “escapist proletarian-glam aesthetic” more than once but can’t promise anything.