Velvet Coalmine

self-preservation is what's really going on today
  • Contact / About
  • ‘Proper’ writing

Monthly Archives: October, 2010

  • Offcuts #3 October 15, 2010
  • I Love You But You’re Wood Green: Carl Barat at the Big Green Bookshop October 3, 2010

“Yeah, no I’m on Twitter … nah, it’s shit.”

  • Picking up on one line I took offence to in an otherwise good blog, and drunkenly formulating a 3k response. I'd fe… twitter.com/i/web/status/1… 5 hours ago
  • @kerrypolka Exactly! The women's march to Versailles basically kicked off the French Revolution. 9 hours ago
  • Interesting and useful report, but "the high proportion of often working-class women, a social category traditional… twitter.com/i/web/status/1… 9 hours ago
  • RT @byers90: These are good questions. I would actually like to know the answers to some of these. twitter.com/suite_212/stat… 11 hours ago
  • RT @CultishEvents: Here are some of the albums I'm planning on doing listening events for in 2019. Many thanks to @JahDuran of @theQuietus,… 1 day ago
  • RT @NewSocialistUK: The prevalence of working long hours should not be seen as commendable dedication on the part of individual workers, bu… 1 day ago
  • RT @TristanCorkPost: .@Deliveroo riders from @IWW_Couriers & @_IWW pledged strike action after this protest at pay & conditions in Bristol… 1 day ago

Recommend Velvet Coalmine to others

Top Posts

  • In Defence of Rihanna's 'Man Down'.
  • "Pride", identity and intersectionality
  • On liking American Psycho.
  • Sleeping with the NME: how the British music press picked up a dose of the crap
  • The outside of everything: a Howard Devoto primer.
  • Oi! to the World: Blaggers ITA, 'The Way We Operate'
  • Little Empires: on Wales, history, identity, and the Manic Street Preachers
  • Intersectional Feminism, Class, and Austerity
  • "My father still reads the dictionary every day. He says your life depends on your power to master words."

Places I Write For:

  • Guardian
  • LA Review of Books
  • McSweeneys
  • New Welsh Review
  • Planet: the Welsh Internationalist
  • Salon
  • Strike!
  • The Morning Star
  • The Quietus
  • Wales Arts Review

The Blogroll

  • Archived Music Press
  • Babylon Wales
  • Bad Reputation
  • Black Feminists
  • Blog of Disquiet
  • Broadsnark
  • Clamorous Voice
  • CosmoPolitics
  • Crunk Feminist Collective
  • Dalston Oxfam Shop
  • Eat Your Sherbert
  • Embololalia
  • Feminism In General
  • Fin de Something
  • Freaky Trigger
  • Geeked Magazine
  • Good music / Bad music
  • Heaven is Whenever
  • History and Today
  • History is Made at Night
  • How to Disappear
  • Imogen Tyler
  • James Ivens
  • Lashings of Ginger Beer Time
  • Manhattanchester
  • Michael Bracewell
  • Nitsuh Abebe
  • No Rock and Roll Fun
  • Pere Lebrun
  • Phil Zone
  • Plan B Magazine
  • Queen Margot and the Supper Club
  • Quite Irregular
  • Racialicious
  • Radical History Network
  • Resonance FM
  • RockFeedback
  • Ruins of Great Britain
  • Simon Reynolds (archive)
  • Sweeping the Nation
  • The American Nightmare
  • The Devil Makes Comics For Idle Thumbs
  • The Fantastic Hope
  • The Line of Best Fit
  • The London Nobody Sings
  • The Rhexis
  • The World of Golau Glau
  • Third Class on a One-Class Train
  • Transpontine
  • Under the Goggles
  • Wears the Trousers
  • welshnot
  • WordPress.com
  • WordPress.org

1970s 1980s 1990s 2000s akira the don albums amanda palmer bad reputation beneath the paving slab the plug books britpop buzzcocks carl barat chris morris class comedy courtney love dirty pretty things dresden dolls dylan feminism film gigs god the 80s were awful history home taping is killing music howard devoto how i was made jarvis cocker kenickie labour party last drags on the decade's dog-end london lupen crook magazine manic street preachers media meta music music as politics music journalism nme patrick wolf patti smith peter doherty politics popular culture no longer applies to me postpunk pulp punk rage against the machine Rhian E Jones riot grrrl rock follies satire self-parody Series: little empires shampoo singles situationism tesco value greil marcus theatre the idiots are winning the indelicates the kent delta the libertines the music industry the raincoats the slits the valleys unpopular culture wales women in music writing x-ray spex

Meta

  • Register
  • Log in
  • Entries RSS
  • Comments RSS
  • WordPress.com

Previously on Velvet Coalmine

  • May 2018 (1)
  • March 2018 (1)
  • September 2017 (1)
  • June 2017 (2)
  • March 2017 (1)
  • February 2017 (1)
  • October 2016 (3)
  • September 2016 (3)
  • July 2016 (1)
  • December 2015 (1)
  • April 2015 (1)
  • January 2015 (2)
  • December 2014 (2)
  • November 2014 (4)
  • October 2014 (1)
  • August 2014 (2)
  • July 2014 (1)
  • May 2014 (2)
  • April 2014 (2)
  • March 2014 (1)
  • December 2013 (1)
  • November 2013 (2)
  • October 2013 (2)
  • September 2013 (2)
  • July 2013 (1)
  • June 2013 (1)
  • May 2013 (2)
  • April 2013 (1)
  • March 2013 (1)
  • February 2013 (1)
  • January 2013 (6)
  • December 2012 (1)
  • November 2012 (3)
  • October 2012 (4)
  • September 2012 (1)
  • August 2012 (1)
  • July 2012 (3)
  • June 2012 (4)
  • May 2012 (1)
  • April 2012 (1)
  • March 2012 (3)
  • February 2012 (3)
  • January 2012 (2)
  • November 2011 (6)
  • October 2011 (4)
  • September 2011 (4)
  • August 2011 (5)
  • July 2011 (7)
  • June 2011 (6)
  • May 2011 (4)
  • April 2011 (6)
  • March 2011 (3)
  • February 2011 (3)
  • January 2011 (4)
  • December 2010 (5)
  • November 2010 (5)
  • October 2010 (2)
  • September 2010 (2)
  • August 2010 (1)
  • July 2010 (1)
  • June 2010 (1)
  • May 2010 (1)
  • April 2010 (4)
  • March 2010 (2)
  • February 2010 (2)
  • January 2010 (2)
  • December 2009 (5)
  • November 2009 (3)
  • October 2009 (2)
  • September 2009 (3)
  • August 2009 (2)
  • July 2009 (5)
  • May 2009 (2)
  • April 2009 (2)
  • January 2009 (1)
  • December 2008 (1)
  • October 2008 (1)
  • June 2007 (1)
  • November 2005 (1)
Blog at WordPress.com.
Privacy & Cookies: This site uses cookies. By continuing to use this website, you agree to their use.
To find out more, including how to control cookies, see here: Cookie Policy