Tagged: half man half biscuit

At swim, two links.

1. I don’t know why I hadn’t come across this piece earlier. The finest music writer this country ever produced, on possibly this country’s finest band:

Taylor Parkes on the continuing brilliance of Half Man Half Biscuit.

2. This blog will never get off the dick of punk/hip-hop mashups. This is probably old news, but anyway, hear it for the Black Thought/Dead Kennedys one alone. Y’know, in case Grace Petrie isn’t really doing it for you:

Mic check 1234!

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If You’ve Never Then You Ought: Half Man Half Biscuit

My belated Christmas present to you all, in the dead days before New Year, is the recommendation that you get into Half Man Half Biscuit, if you haven’t already. After five or so years of listening to their back catalogue I don’t have a particular song to recommend, but I recommend you discover your favourite yourself.

Many bands polarise opinion; with ‘The Biscuit’ (as absolutely no one outside the febrile hive-mind of the Guardian weekend supplement calls them) it’s more that people divide into those who think they might like them, and consequently do, and those who think they won’t like them and never give themselves the opportunity to discover how wrong they are.

Always a risky business, innit though, ‘comedy’ in music. I don’t know how I’d class HMHB – as comedy goes, they’re more Chris Morris than Carry On, although they’re as quintessentially British as both. They skewer pretension in all its forms – sometimes satirically, sometimes whimsically, sometimes with nailed-on bleak observation of the nation’s corpse picked clean. But there’s a lot more to them than sneering, and a hell of a lot more than self-conscious zaniness. They’re not, as their detractors often presume, the musical equivalent of that bloke in your office who thinks that owning a novelty tie and a mug with a ‘comedy’ slogan makes up for having a wit and charm deficit the size of the national debt – in fact, they’ve probably written a song about him. They also provide, more or less, a running commentary on the spiralling absurdities of the British music scene.

Their lyrics are studded with nods to Thomas Hardy, and their music is often wickedly parodic. They are much, much cleverer than you think. Nigel Blackwell employs the Birkenhead accent’s capacity for dry disdain building to banked fury in a manner only bettered by Paul O’Grady’s anti-Tory tirade last October. In a sane and well-ordered world, Nigel Blackwell would already have turned down the post of Poet Laureate.

Just occasionally, this band make me feel alright about the world and my place in it. Happy new year.

I’ve also half-inched my new tagline for 2011 from them – the old one was getting me an alarming number of hits from bemused Nietszsche enthusiasts.